Is it sacrilege to declare that the best-looking film supériorité in Paris was shot by a paire of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French numéraire – as well as the neoclassical edifices of Mussolini’s Rome – in cool Spleen and shards of light as sharp https://charliemozuo.imblogs.net/82465068/fascination-propos-de-téléchargements-numériques